Here are some of the things I found via Twitter this past week.
@stangarfield – “Influence knowledge sharing behavior by modeling it – lead by example, practice what you preach, show how it is done: get followers”
@nilofer – “Being genuinely creative means not knowing where you are going. Accept uncertainty.”
The Bitcoin Epoch: It is Akin to the Printing Press Revolution – via @petervan
Hang on, you may think, how can a currency be created out of thin air? The answer is central banks do this all the time. Remember most money in existence is not in a physical form. Central banks create ‘base money‘ to keep their currencies flowing. Its a bit of an esoteric process as if they create too much then deflation follows yet too little and the liquidity of the economy suffers. Bitcoin uses the ‘mining’ of its peers to create the ‘base money’, so the balance of getting its level of generation right is created not by top-down be-suited men in offices, but by the natural ebb and flow dictated by the number of peers in the system.
What happened in the basement of the psych building 40 years ago shocked the world. How do the guards, prisoners and researchers in the Stanford Prison Experiment feel about it now?
Kai Nagata: Why I quit my job – via @JoanVinallCox
So I didn’t quit my job because I felt frustrated or that my career was peaking. I quit my job because the idea burrowed into my mind that, on the long list of things I could be doing, television news is not the best use of my short life. The ends no longer justified the means.
Sharing For Art and Profit: Creative Commons Celebrates ‘The Power of Open’
Creative Commons not only empowers creators and remixers, it can also be a driver of viral success. When Nina Paley, director of the animated feature “Sita Sings the Blues”, was unable to release her film due to music licensing issues, she decided to release it for free online with a Creative Commons Attribution-Share Alike license. The film was acclaimed by critics such as Roger Ebert, and after an outpouring of donations and revenue from related merchandise, Paley was able to secure distribution. In the book, she explains, “When an artist is broke, you start thinking that it has to do with the value of their work, which it doesn’t. I have also seen artists who refused to create unless they got paid … I’ve never had more money coming at me than when I started using Creative Commons BY-SA. I have a higher profile. I don’t spend anything on promotion. My fans are doing it for me and buying merchandise. Sharing put me on the map.”